Open Strings on Double Bass: Nuances, Considerations and Best Practices

We explore the nuances of using open and closed strings on the double bass. We discuss their unique resonant sound, their impact across different musical genres, and considerations for orchestral and jazz contexts.

With Jason Heath · Seattle, WA

As a bass player, you may have come across the dilemma of whether to use open strings or not. It’s a question that has been asked by many musicians over the years. In this blog post, we will delve into the nuances of open strings versus closed strings and explore the impact they can have on your playing. So let’s dive in!

Understanding the Nature of Open Strings

Open strings have a unique and resonant sound that sets them apart from other notes on the bass. When we pluck an open string, such as an open D, we can instantly hear the openness and richness of its tone. In contrast, playing a closed D produces a more covered sound. This distinction in sound quality is what makes open strings stand out.

The Impact of Open Strings in Music

The choice to use open strings depends on the type of music you’re playing and the desired effect. If you’re playing fast-paced music, the openness of the strings may be less obvious and easier to blend in. However, when it comes to playing slower passages or sustained notes, the difference in quality becomes more apparent.

Consistency versus Character

One of the main reasons to avoid using open strings is the change in tone quality they introduce. In comparison to a scale played entirely on closed strings, an open string scale may sound less consistent. Closing the notes by avoiding open strings creates a more even and balanced tone. This consistency is particularly crucial when playing in an orchestral setting or aiming for a blend within a bass section.

There are pluses and minuses for using open strings–it all depends on context.

Considerations for Different Strings and Styles

The type of strings you use can also impact the quality of open strings. Different materials, such as gut or steel, produce varying results. Additionally, playing slap bass or exploring different genres can influence your preference for open or closed strings. It’s essential to consider these factors and experiment to find what works best for your musical style.

Open Strings in an Orchestral Context

If you’re a part of an orchestra or bass section, fitting in and blending are key goals. In such situations, closing an open string is generally preferred. However, there are exceptions. For example, the E string and notes on the extension are often played open. The choice to close or leave a string open depends on the specific musical context and the preferences of the ensemble.

Open Strings in Jazz

While not an expert in jazz bass playing, it is worth mentioning that the use of open strings in jazz can vary. Depending on the musical style and context, open strings may be more acceptable and aligned with the desired sound. Experimentation and listening to experienced jazz bassists can guide you in determining when to utilize open strings in jazz playing.

Debating Open A and Closed D

When it comes to the A and D strings, opinions may differ based on orchestra preferences. Many orchestral players opt for open A due to possible quirks or imperfections in tone when playing the A on the E string. However, the general consensus is to close the D string in an orchestral setting, except for special occasions or specific pieces where an open D is required.

The “Not-So-Cool” Open G

Interestingly, the open G string doesn’t fare well in an orchestral environment. Some basses tend to have a “wolfiness” or a strident sound when playing open G, making it less desirable for orchestral playing. However, in certain solo contexts or pieces that involve the key of G, using open G can create unique effects and add attractiveness to the composition.

Transitioning Between Closed and Open Strings

One important rule to keep in mind is to avoid transitioning directly from a half step below or above to an open string. This sequence can introduce a flanging effect that may not be well-received by listeners. However, as the tempo increases, the use of open strings becomes more acceptable, particularly in fast-paced passages or scales.

The tonal qualities of open vs closed strings come through when playing both pizzicato and arco.

Developing Your Own Taste

Ultimately, the decision to use open or closed strings boils down to personal taste and experience. If you’re part of an orchestral section, observing the choices of the principal and other experienced players can serve as a helpful guide. Being attentive to the ringing of open strings and focusing on intonation will also contribute to a polished sound.

The choice between open strings and closed strings is a matter of personal preference and musical context. While open strings offer a distinctive and resonant sound, the use of closed strings can provide consistency and blend within an ensemble. Understanding the impact of open strings, experimenting with different string materials, and listening to experienced musicians will guide you in making the best choices for your bass playing. So go ahead, explore the world of open and closed strings, and let your unique sound shine!


We discuss topics like this every week in our email newsletter. We also offer free monthly sheet music giveaways, community news, and all sorts of cool opportunities for bass players. If you’re not on the list, consider subscribing!

Keep Exploring

How to tune your double bass as a complete beginner

Double Bass Tuning Basics for Beginners and Teachers

Technique Tuesday Thumbnails

Avoid this common thumb position mistake on double bass

double stops on double bass

Double Stops on Double Bass Made Easy: Game-Changing Techniques

Share This Post

real-map

Get connected to double bassists, events, and communities all over the world.

Get double bass news delivered to your inbox twice per week

clef-logo-white

Listen to the Podcast

Contrabass conversations

Share your ideas with the double bass community.